This week’s flames at Notre-Dame de Paris sunk us into collective grief and then unified us in hope, as we learned that much of the structure and most of the art had been saved. Many Gothic cathedrals have been lost to flames, but in their grace we forget their fragility.
Notre-Dame has stood on Paris’ Île de la Cité for the better part of 1,000 years. Having almost lost her, it is both sobering and gratifying to consider the cultural artifacts that last from generation to generation. So little survives: works of literature (many of them fragments), examples of religious sculpture, a little music, sacred buildings in varying states of disrepair. We hold on to these traces of western cultures, but to what end? Might it be better for us to loosen our grip on these tangible bits of our heritage?
Like many other French cathedrals, Notre-Dame de Paris honors the Virgin Mary. The most venerated feminine figure in the Christian tradition, she symbolizes a compassionate feminine power. Divine figures of other traditions represent this same quality—Guanyin and Tara in Buddhism and the goddess Kali in Hinduism, to name but a few. The sacred spaces we erect in their honor frame and focus the universal energy that we attribute to the divine, feminine figures. Sacred spaces help us to access these figures and the invisible power we’ve given to them.
Their energy is eternal though intangible. Do we even need to honor Mary, Kali, Guanyin, and other feminine figures with special spaces? Of course we do. But let us embrace the constantly changing nature of scared spaces. Cathedrals will crumble or burn. The generative emptiness they leave will make way for new or altered sacred structures.
And let’s remember that although places like Notre-Dame de Paris can change the course of our spiritual lives, the protective power of the Virgin Mary is by no means contained within a building. The knowledge that moves from generation to generation is indiscernible to the eye and revealed in the soul. Having grown up Catholic, I have always felt connected to Mary, but not because of a church. The rose is my most personal, profound reminder of Mary. Her flower is recalled in cathedrals’ rose windows, but for me the rose is entwined with family, with a Catholic upbringing, and with womanhood. I see roses everywhere, and Mary’s flower is always sure to unlock the healing, compassionate energy she embodies.
Inspirations
Another magnificent cathedral: Notre-Dame de Chartres
Clearing Space and evening walks
Rewriting a Symphony in Stone, by Summer Brennan
During a recent visit to a Central Kentucky flea market, I overheard a mother instructing her children: “These are antiques, so they are three times as expensive. Don’t touch anything.” Her words have been rolling around in my mind for a few days, and I must admit that I find antique and vintage pieces to be very reasonably priced. Why? For most people, “old” things are not desirable.
These days, I’m living my best book life. I have short, precarious stacks of books all over the house: travel guides, novels, poetry, cookbooks. I love my books, but I am hard on them. I make copious notations, I stash them in my bag when I’m on the go, and if I sense someone needs my book more than I do, I give it away.
In the realm of space, your life is nothing but the lively energy of life, interconnecting with everything.
[DECEMBER 2018 NOTE: The Rabbit Hole’s Redfern location will close after December 23, 2018, but Barangaroo location will still be open.]
T Totaler is a homegrown tea business, focusing on Australian grown teas and botanicals. Founded in 2012, Amber and Paul Sunderland make custom tea blends for restaurants, develop tea-based “mocktails”, and teach workshops. At their Newtown tea bar, I sampled a dazzling Teagroni, an iced White Peony tea with rose petals, and a hot Australian grown Sencha with coconut and lemon myrtle. Each one was perfect in its own way, and the tea bar’s decor was charmingly cozy with fiddle leaf figs and apothecary jars. Since my visit, T Totaler has opened a second location in the center of Sydney, which is now their primary location.
One of Sydney’s favorite dumpling restaurants, Lotus The Galeries also features a range of teas. I had the privilege and pleasure of sharing dumplings and tea cocktails with Sydney’s own teagramming sisters Neha and Smruthi. This charming and generous sister team marries the art of tea with the art of cocktails on their 
Sydney’s innovative and cutting edge tea scene also leaves room for traditional afternoon tea that showcases high end teas and fine pastries incorporating local ingredients. I spent a leisurely and luxurious afternoon at the Langham Sydney. This afternoon teatime is perhaps the most perfect I’ve ever experienced—attentive service, perfectly-infused teas, delightful savories and sweets, a cozy armchair. The pink champagne enhanced my languorous afternoon! I was able to sample a number of teas—a subtle Orange blossom tea, a creamy black Assam, and a white tea with melon. The scones were warm and crumbly, and other sweets were graced with an Australian touch: a hibiscus and guava tart and a cherry lamington. The savories were traditional and spot on: a curried free range egg finger sandwich as well as a prawn, shallot and dill finger sandwich.
The soul becomes dyed with the color of its thoughts.
Every day, I wear stories. The stack of bracelets on my left arm reminds me of dear people, travels, and great deals scored in local antique shops. Side-by-side, the bangles, beads, cuffs, metal, and leather hold meaningful moments that span decades—my visit to the Leather School in Florence, a sterling silver bangle that Dad brought back from Ireland, two sweet bracelets made of glass beads from Mali.
As soon as I stepped into the theater, a sumptuous hush fell over me.