In an old house in Paris that was covered with vines
lived twelve little girls in two straight lines
My four year-old niece Sylvie Rose is intrigued by the story of a little girl in Paris named Madeline. Her father bought the storybook for Sylvie before she was even born, and I imagine they have spent many hours reading and rereading about Miss Clavel’s sense that something was not right... about Madeline’s subsequent surgery…the crank on the hospital bed… the dollhouse from Papa…her friends’ hospital visit.
I suspect that some of Sylvie’s devotion to Madeline is due to the fact that she lives in Paris. Sylvie Rose knows that Aunt Allison is a French teacher who makes occasional visits to Paris. Her questions give me glimpses of her four-year old mind: Madeline is a real kid, right? Where is her house? And during my most recent trip to France she called to ask, Did you find her?
I love her intensity and admire her persistence in her search for Madeline. These FaceTime conversations strengthen my bond with my niece, but they have also served as a surprising throwback to my own childhood. When I was seven or eight, I was infatuated with Madeline. My little sister had a pop-up version of the book, and I loved it so! I think I found beauty in the order of the twelve little girls in two straight lines. In two straight lines they broke their bread, and brushed their teeth, and went to bed. These words are etched in my mind.
Madeline was probably my first exposure to Paris, or at least to the idea of Paris. Each monument pictured in the story is now familiar to me—Notre Dame, les Invalides, les Jardins de Luxembourg. Paris is home to me. As a little girl in Iowa, these places would have seemed otherworldly. I believe that I chose to study French, in part, thanks to my affinity for Madeline and my curiosity about the vision of France I discovered in her story.
Many years later, Sylvie Rose is weaving her own literary landscape, and Madeline is part of it. Watching her, the story of the little girl in Paris reemerges, expands, and intersects with my niece’s quest.
Inspirations
Ludwig Bemelmans’ Madeline, published in 1939
The joy of summer reading
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“Space is the breath of art.”
Although there is much to be done in the coming days, I am taking a hygge day—choral Christmas music, ginger spice candle, fuzzy clothes, baking,and tea…