The painting unfolded before me and in me.
I’d spent years looking at art, then promptly filing away the images. Wandering through museums, I encountered works by Rothko, Brancusi, and Degas. Often, they moved me. Yet I never lingered. There was so much art to take in, so I “stacked” the images in my mind, sometimes retrieving them in conversation, in my studies, or in subsequent museum visits. Mary Cassatt’s portraits of children sprung up in tender moments; Malevich’s White on White stumped my students; I sought and found Camille Claudel’s love story in her sculptures at the National Gallery in Washington, D.C.
Yet somehow, I never allowed myself to sit with these works. After so much study and so many museum visits, I found myself in the National Galleries of Scotland in front of Van Gogh’s The Plains near Auvers. For once, I wasn’t prone to move efficiently through a museum. Rather, that dreary afternoon I planted myself in front of the piece that beckoned. Van Gogh’s green and gold fields seemed to move on the canvas. The grasses in the foreground swayed from side to side, and successive fields opened back toward the horizon, one after the other. I sensed that I was in the painting and that the painting was in me. My altered perception of space left me feeling a bit wobbly, but I remained “inside” the image, allowing my mind to move farther into the fields. By engaging in “slow looking”, I connected to an artist and his chosen landscape in a startling, deep way.
The Plains near Auvers still moves about in me. Sometimes, in a quiet moment, I inhale and summon the haphazard rectangles, the swirly sky, and the dabbed red flowers. Other times, the painting wells up, catching me off guard. I am glad to have my tall, orderly stores of images, gathered over years of museum time. They are my foundation and springboard. Now I know to be still with them, attuning myself to their quiet language of color, line, and shape.
Inspirations
Inspiring Impressionism: Daubigny, Monet, Van Gogh, National Galleries of Scotland
The Art of Slowing Down in a Museum, New York Times
“…I brought to my lips a spoonful of tea in which I had softened a piece of madeleine. But at the exact moment when the mouthful mixed with cake crumbs touched my palate, I shivered, attentive to this extraordinary thing that was taking place in me. A delicious pleasure had invaded me, isolated, no notion of its cause. It had instantly made me indifferent to the vicissitudes of life, made its disasters harmless, its brevity illusory, in the same way that love operates, filling me with a precious essence: or more accurately this essence wasn’t in me, it was me.” –Marcel Proust, Du côté de chez Swann
Then each one of us, […] will move back out on the pitch-black porch and let the body heat of the day leech from the house and our own bodies out onto the night, its billion singers—tree frogs, cicadas, the deathless crickets, the high whine of bats–” Renyolds Price, Outdoor on the Porch
The beginning of August was gloriously cool and breezy—not Iowa State Fair weather by any stretch of the imagination. Mom’s cozy front porch is underused, so one day I welcomed her home from work with a mini porch party. It was a snap to organize this tiny gathering:
My friend Sahar is a cardamom tea connoisseur. Milky and minty with a bold cardamom profile, her morning sips are robust and comforting.
I let reading take over this summer. It’s just what I needed. Last summer I was too busy to settle in with my books, only able to squeeze in a few novels here and there. I missed the ease of summer reading and vowed that this year would be different. I have been consuming books!
Life is lush in this Mediterranean village. Located in the south of France mere miles from Spain, Catalan culture pervades Collioure. Tapas, espadrilles, sunshiny wine… People glide between French, Spanish, and Catalan. Vivacious and expressive, they draw me in.
I am sorry to say that Peter was not very well during the evening. His mother put him to bed, and made some camomile tea; and she gave a dose of it to Peter! —The Tale of Peter Rabbit, Beatrix Potter
I travel a little for work and a lot for pleasure. I set out on my own, my journeys bringing me to rainy Edinburgh streets, to the salty French seaside, and to my childhood home in Iowa. Each trip enriches me. I fill my soul with modern art, befriend fellow train passengers, and soak in the places that become part of me.